MiniMax music generation: create tracks from descriptions with a balance of quality and speed for drafts and finished pieces.
Audio prompts work best when they define mood, pacing, structure, and finish. The more clearly you describe the role of the sound, the cleaner the result tends to be.
Best results start with genre, mood, structure, and arrangement.
Music V2 on Pixio is MiniMax music generation: create tracks from descriptions (genre, mood, structure) with a balance of quality and speed for drafts and finished pieces. Use it when you need MiniMax text-to-music for ads, short-form, or full tracks.
Music V2 on Pixio is MiniMax music generation: create tracks from descriptions (genre, mood, structure) with a balance of quality and speed for drafts and finished pieces. Use it when you need MiniMax text-to-music for ads, short-form, or full tracks.
| Mode | Input | Best for |
|---|---|---|
| Text to Music | Description (genre, mood, structure) | Drafts and finished tracks |
| Option | Values | Notes |
|---|---|---|
| Duration | Depends on backend | Check Pixio for limits |
| Credits | Plan-based | Check model card in Pixio |
Credits depend on plan; check the model card in Pixio.
[Genre] + [Mood] + [Structure] + [Instruments or finish]. Define role, pacing, and finish.
"Upbeat corporate BGM, 60 seconds. Piano and strings, optimistic, clean mix."
"Cinematic trailer, dark and tense. 90 seconds. Orchestral, building to climax."
"Lo-fi hip hop, relaxed. Chill beats, soft piano. 2 minutes."
| Scenario | Best choice |
|---|---|
| MiniMax music, quality and speed balance | Music V2 |
| Full songs with vocals (Suno) | Songcraft |
| Short BGM or SFX | Music Compose Sound Effects |
Use production language, not just genre labels.
Tell the model how the energy should move over time.
For speech, define delivery style, tone, and pacing.
For music, define arrangement and emotional arc early.
A strong audio prompt describes role, pacing, tone, and finish so the output feels produced rather than generic.
Describe the genre, emotional arc, instrumentation, and structure instead of relying on broad tags alone.
Define how the piece should progress so the output feels intentional instead of flat or repetitive.
Use stronger prompts and cleaner references once the direction is already working.
Music V2 is strongest when the brief is clear about function: what the sound should do, how it should move, and what it should feel like.
Use structure language early so the output lands closer to production-ready on the first passes.
For voice work, specify delivery and character. For music, specify arrangement and emotional progression.
Decide whether the output is carrying narrative, mood, rhythm, or all three.
Describe the build, energy, and transitions so the result has movement instead of flattening out.
Once the direction is right, refine and separate instead of regenerating blindly.
Pair voice generation with cloning when continuity across campaigns or characters matters.
Use generated music or speech as the finishing layer once the visual cut is already working.
