Remove or replace the background while keeping the subject clean and sharp—ideal for product shots, portraits, and compositing into new scenes.
The best image results come from specific composition, style, and lighting language. Be explicit about what should be in frame and what should feel dominant.
Best results start with a precise subject, composition, and style direction.
Background Removal is available in Pixio. Remove or replace the background while keeping the subject clean and sharp—ideal for product shots, portraits, and compositing into new scenes.
Background Removal is available in Pixio. Remove or replace the background while keeping the subject clean and sharp—ideal for product shots, portraits, and compositing into new scenes.
| Mode | Input | Best for |
|---|---|---|
| Background Removal | One image | Remove background; output subject (e.g. PNG with transparency) |
| Background Replace | One image + optional new background | Replace with solid color, image, or style (when supported) |
Output format (e.g. PNG with alpha), replace options, and credits depend on backend; check the model card in Pixio.
| Scenario | Best choice |
|---|---|
| Remove or replace background, clean subject | Background Removal |
| Increase resolution | Upscale |
| Restore damaged photos | Photo Restoration |
| Generate new image | Use a text-to-image or image-to-image model |
Tell the model what should dominate the frame first.
Use lighting language early; it changes everything downstream.
When editing, describe what stays, not just what changes.
References help when continuity matters more than novelty.
A strong image prompt defines the subject, composition, lighting, and finish instead of leaving them implied.
Use precise visual language to control subject, composition, lighting, and style from the start.
Preserve the useful parts of the image while steering the rest with masks, references, or prompt edits.
Bring in reference images or LoRAs when consistency is more important than exploration.
Background Removal is strongest when the visual brief is specific about framing, style, and what should read first.
Use it for campaign images, product shots, subject consistency, or polished concept work.
When editing, say exactly what changes and what must remain untouched.
Lock the subject, composition, and lighting direction before you chase style nuance.
Use references or edits when the same subject, style, or layout has to survive across versions.
Once the frame works, refine only the weak areas instead of rewriting the whole composition.
Finish strong compositions by scaling them without rebuilding the frame from scratch.
Use editing tools after the initial generation when the composition is right but the details still need polish.
